Dr Emily Payne Type Supervisor Collaboration, creativity, embodiment, performance studies (particularly of 20th-century music), materiality, psychology of performance, anthropological approaches to western 'art' music. School of Music
Professor Alinka Greasley Type Supervisor Music listening behaviour, musical preferences, music perception with hearing aids, musicians' hearing and hearing protection, musicians' health and well-being, electronic dance music culture. School of Music
Professor Michael Allis Type Supervisor 19th- and early 20th-century British Music, music in Victorian and Edwardian Britain, interdisciplinary studies of music and literature, performance, reception, sketch studies. School of Music
Professor Edward Venn Type Supervisor Opera studies Music theory, Music analysis, Interpretation, 20th century British music, contemporary British music, performance studies, student engagement, sense of belonging. School of Music
Dr Michael Spencer Type Supervisor Composition/improvisation, notation systems, aesthetics, heavy metal, conducting/performance practice of new music, semiotic analysis, micro-tonal tuning systems creative collaborations. School of Music