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Showing 1 - 20 of 26 results
- Type
- Supervisor
Histories of photography, transnational intellectual and art histories, word and image, histories and theories of seeing and showing, gender and art.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
heritage and contemporary art.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
History historiography and methodologies of British and Irish architecture c1600 and c1840, British and European Neo-Classicism, eighteenth-century women as patrons and consumers.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
Western philosophy, the history of critical theory (French German and Italian), comparative literature, critical media studies (emphasis on cinema and sound), Postcolonial studies.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
Gender theory and sexual difference deconstruction psychoanalysis poststructuralism and ‘French theory’ translation theory the work of Hélène Cixous and Jacques Derrida.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
Feminist interventions in art and exhibition histories, British photography 1980s–present-day, contemporary art and curation, histories of experimental film/video, issues of gender/race/class in art.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
early medieval art and culture.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
artists' books, collaborative practice, contemporary art, drawing, printmaking.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
History of the art market, history and theory of museums, and the histories of collecting especially in relation to the agency of the art and antique dealer in the 19th century.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
Theories methodologies and historiographies of modern and contemporary art photography and architecture, Marxism, Critical Theory, emancipatory thought, aesthetics and politics.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
contemporary art, poetry and poetics, literary and media theory, publishing and reading histories and theories.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
Mid twentieth century painting and sculpture American and European, Aesthetic theory.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
Critiques of capitalism, labour history, relational aesthetics, participatory practices, post-war french philosophy, modern and contemporary art, social history of art, critical theory, arts outreach.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
C18th European enlightenment, continental philosophy, cultural and critical theory, French and German studies.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
Painting as an expanded practice and discourses in the emergent field of new materialism, curating, the intersection of painting with architecture.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
museums, galleries, heritage, art education, collecting and curating popular culture, multisensory cultural spaces, creative use of archives.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
digital heritage cultures, media memory studies, politics and ethics of technology, philosophies of history, theories of utopia.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
Medieval art, Jewish-christian relations, Jewish museums and heritage.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
Migrant and diasporic culture(s) in European cinema, screen representations of World War One and cultural memory, civilian internment.
School of Fine Art, History of Art and Cultural Studies
- Type
- Supervisor
Socio political informed approaches to arts and architecture, interdisciplinary practices, transcultural approaches to arts, alternative museum models.
School of Fine Art, History of Art and Cultural Studies
